Arnold Bocklin
Swiss
1827-1901
Arnold Bocklin Locations
Arnold Bocklin was born on Oct. 16, 1827, in Basel. He attended the Dusseldorf Academy (1845-1847). At this time he painted scenes of the Swiss Alps, using light effects and dramatic views subjectively to project emotional moods into the landscape. In 1848 this romantic introspection gave way to plein air (open-air) objectivity after he was influenced by Camille Corot, Eugene Delacroix, and the painters of the Barbizon school while on a trip to Paris. But after the February and June revolutions Bocklin returned to Basel with a lasting hatred and disgust for contemporary France, and he resumed painting gloomy mountain scenes.
In 1850 Bocklin found his mecca in Rome, and immediately his paintings were flooded by the warm Italian sunlight. He populated the lush southern vegetation, the bright light of the Roman Campagna, and the ancient ruins with lonely shepherds, cavorting nymphs, and lusty centaurs. These mythological figures rather than the landscapes became Bocklins primary concern, and he used such themes as Pan Pursuing Syrinx (1857) to express the polarities of life: warm sunshine contrasts with cool, moist shade, and the brightness of womans spirituality contrasts with mans dark sensuality.
When Bocklin returned to Basel with his Italian wife, he completed the painting which brought him fame when the king of Bavaria purchased it in 1858: Pan among the Reeds, a depiction of the Greek phallic god with whom the artist identified. He taught at the Academy of Art in Weimar from 1860 to 1862, when he returned to Rome. Called to Basel in 1866, he painted the frescoes and modeled the grotesque masks for the facade of the Basel Museum.
Bocklin resided in Florence from 1874 until 1885, and this was his most active period. He continued to explore the male-female antithesis and painted religious scenes, allegories of Natures powers, and moody studies of mans fate. He ceased working with oils and began experimenting with tempera and other media to obtain a pictorial surface free of brushstrokes.
Bocklin spent the next 7 years mostly in Switzerland, with occasional trips to Italy; he devoted much of his energy to designing an airplane. Following a stroke in 1892, he returned to Italy, bought a villa in Fiesole, and died there on Jan. 16, 1901. Many of his late works depict nightmares of war, plague, and death. Related Paintings of Arnold Bocklin :. | Sirenen | Spiel der Wellen | Centaur Fight | Zerstortes Haus in Kehl | Tamara and the Demon | Related Artists: Philipp veit1793 - 1877) was a German Romantic painter.German painter. The stepson, from 1804, of Friedrich von Schlegel, he studied (1808-11) at the Akademie in Dresden under Friedrich Matth?i (1777-1845) and Caspar David Friedrich. He showed talent in drawing but, on moving to Vienna in 1811, had difficulties with painting in oil, and turned to watercolour. Through Schlegel, Veit came to know many of the leading Romantics in Vienna, such as the poet and novelist Joseph von Eichendorff. In 1813-14 Veit took part in the campaign against Napoleon and returned briefly to Berlin. In 1815 he completed a votive picture, the Virgin with Christ and St John, for the church of St James in Heiligenstadt, Vienna (in situ), inspired by the work of Pietro Perugino and Raphael. In 1815 Veit left for Italy where he stayed until 1830. In Rome he joined the circle around Friedrich Overbeck and Peter Cornelius, becoming a leading Nazarene (see NAZARENES). With these artists he took part in providing fresco decorations (1816-17) for the Casa Bartholdy (now the Bibliotheca Hertziana): Veit painted the scene of Joseph and Potiphar's Wife and a decorative lunette allegory, the Seven Years of Plenty (both now Berlin, Staatl. Mussen, N.G.). In 1818 Veit was commissioned to paint the fresco of the Triumph of Religion in the Museo Chiaramonti in the Vatican, one of a series of murals recording the services of Pope Pius VII to science and art. William Larkin (early 1580s - 1619) was an English painter active from 1609 until his death in 1619, known for his iconic portraits of members of the court of James I of England which capture in brilliant detail the opulent layering of textiles, embroidery, lace, and jewellery characteristic of fashion in the Jacobean era, as well as representing numerous fine examples of oriental carpets in Renaissance painting.Larkin was born in London in the early 1580s, and lived in the parishes of St Sepulchre-without-Newgate, Holborn, and St Anne Blackfriars. He became a freeman of the Worshipful Company of Painter-Stainers on 7 July 1606 under the patronage of Lady Arbella Stuart and Edward Seymour, 1st Earl of Hertford. Married before 1612, he buried a stillborn son in that year; a son, William, in 1613; and a daughter, Mary, in January 1614/15, all at St Anne Blackfriars. Another daughter called Mary was alive at the time of his death. He died sometime between the witnessing of his will on 10 April 1619 and its proving on 14 May. The date of his burial is unknown because the parish records were destroyed in the Great Fire of London in 1666 Guillaume VoiriotGuillaume Voiriot (Paris, 1713 - Paris, 30 November 1799) was a French portrait painter. In the years of 1746-1749 Voiriot went, at its own expense, to Italy. After his return he became a member of the painters and sculptors guild at Academie de Saint-Luc. In the years 1759 to 1771 he regularly exhibited portraits of his contemporaries in the Paris Salon. He portrayed family members, scientists, writers, actors and musicians.
|
|
|